(extra) soft animal
summer storm {8/3/13}
Kelley Clink
...or perish {8/2/13}
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I have a piece in the latest issue of the Colorado Review! You can read it on their website: http://coloradoreview.colostate.edu/features/surfacing/
burning bright {8/2/13}
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In the summer, the east side of the house was lined with tiger lilies. Their heavy heads knocked against the children's legs when they chased each other down the driveway, laughing.
the august break {8/1/13}
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This year I have decided to pick up the gauntlet thrown down by one of my favorite writer/photographers, Susannah Conway, and attempt what she calls The August Break.
Don't let the name fool you. The August Break is a daily photo challenge for the month of August. There are prompts (optional), an Instagram hashtag, and a Flickr group. I've attempted a daily photo blog once before, but it's been a while and I have a lot more going on. But I've also been feeling uninspired and creatively unmotivated, so I'm hoping this will be rejuvenating. If not, you'll probably see a lot of pictures of my dog.
I figured I'd kick off the break with one of my trademark shots: LINES. Everyone knows I love me some horizontal lines. Throw in some light and shadow, and you got yourself the perfect photograph.
where the ocean meets the shore {7-29-13}
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Escapism isn't very Buddhist, but in this modern life it's easy to lose perspective. You fall into a rhythm, become mindless instead of mindful. Hey, that's okay. Hell, sometimes it's necessary. If we spent every moment of our lives being fully mindful, we'd probably go nuts. But when mindlessness becomes the norm, when we spend day after day, week after week, month after month on autopilot, grinding our way through our days and collapsing in front of the TV every evening, it's probably time for a change of scenery.
Last week my husband and I went down to the coast of Alabama. It's a place my husband frequented as a child, and somewhere that we went together several times while we were dating, but it was the first time we'd been back in nearly 13 years.
Somehow, despite the fact that I grew up hundreds of miles from the ocean, the beach feels like home to me. And I mean any beach. Every beach. There's something about that slanted overlap where the waves stroke the land that roots me right to the center of the universe. Here , the water says. Here, here, here . Now, now, now .
You are salt , the water says. And metal. You are small. You are temporary.
You are me.
I feel safe and afraid all at the same time. I feel alive.
After a few days my heart and mind align again, and I am able to breathe in the present moment. I begin to see the pieces that make up my experience. They are bright and dark, large and small. The moment is safe and scary and simple. It is good.
this week's photos {7/15/13}
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down with words {7/11/13}
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I know I haven't been doing much writing on this blog lately. There are a couple of reasons for this. One is that I have summer brain, meaning that I don't want to do anything but float in a swimming pool, lay on the beach, or (depending on how hot it is outside) watch Battlestar Galactica with my blinds drawn. The other is that I'm working on a proposal for my manuscript which, for some reason, is even harder than writing the damn book. The world of publishing makes warfare with Cylons look like a Sunday picnic--but that's a completely different blog post. What I'm really trying to get at here is the toll of market research.
What does market research entail, you ask? Mainly reading a whole lot of books that are in some way similar to yours, so that you can prove to editors and agents that there is an audience for what you are writing. Because it doesn't matter how good your book is if it won't sell.
Sigh.
Anyway, I don't have to tell you that I am damn sick of reading memoirs about suicide, depression, and grief. And truth be told, I haven't read that many. I find that by the second or third chapter I know enough about the book to know if it is comparable to mine. But more than that, I find that I am emotionally wiped. I'm not in a place in my life anymore where I want to walk that journey with a narrator. After my brother died I scrambled for books like this: I couldn't get enough suicide survivor stories. I wanted to know how to make it through my grief. And even when books didn't offer that kind of advice (or when they tried and didn't succeed), it helped just to know that it was possible to build a life on the other side of such a loss. Now that I am here, in a new, healed life, I don't really want to go back.
I also find that I am more sensitive to the nature of my reading material than I used to be. Unfortunately depression is a vicious cycle: the more times you experience depressive episodes, the more likely you are to continue experiencing them. My history has constructed a super highway to Despair in my brain, and books about tough subject matter force my emotions into the express lane.
Long story short: I gotta balance that shit out.
I am always on the prowl for depressive-friendly literature, and this market research has inspired me to start a list. If I can come up with enough titles, I might even create a page for the list on my site. So here are a few books that I turn to again and again. Make no mistake: they are not all about "happy things." They are books that make me laugh, make me forget myself. They are books find the drop of joy in the sea of terror. We're not talking about saccharine Hallmark rainbows here. These are achingly beautiful books that make me want to live harder. Please share some of yours, and let's see if we can create the market research for my next book.
The Diving Bell and the Butterfly by Jean Dominique Bauby
My Life in France by Julia Child
My Family and Other Animals by Gerald Durrell
Traveling Mercies; Plan B; and Grace, Eventually by Anne Lamott
Pretty much anything by David Sedaris, especially if it's an audiobook
Safekeeping by Abigail Thomas
My Life and Hard Times by James Thurber
Slaughterhouse Five by Kurt Vonnegut